My Interview as Featured Photographer with Photography Masterclass Magazine

My Interview as Featured Photographer with Photography Masterclass Magazine.

Clansman
Glen Etive, Scotland

Short Bio:

Jenny Cameron is a Fine Art Landscape Photographer living in the Scottish Highlands with her Husband and two dogs. Her passion for the wilderness began from a love of travel & outdoor life. Sadly Jenny was diagnosed with a rare bone disease a few years ago in her hip called Avascular Necrosis. This put an end to her mountain adventures ( hiking, winter climbing, skiing, backpacking to name a few). She spiralled into a dark place for a short time but thankfully found her solace in landscape photography and her journey began in October 2015 never looking back. 2016 was a great year, several of her images were exhibited in three American Art Galleries, followed by her first Publication on the front cover of the prestigious Scottish Field Magazine January 2017 issue. The New Year brought ten of her Scottish images published in two different Coffee Table style Photography Books. In July 2017 one of her most popular images “Altnaharra” was chosen for an Exhibition in England. Jenny continues  pushing the boundaries and looks forward to the future.
How did your love of Photography start?
I’ve always enjoyed taking photos from a very young age and trawling through golden oldie family snaps. I think it hit me when I realised I enjoyed taking photos of landscapes more than I did of my beloved dogs which sounds terrible but its very true. Anyone who knows me knows my dogs are my children and absolute world to me.
What’s your Long-term Photographic Ambition?
I would love to help and inspire other landscape photographers in some kind of educational way, maybe workshops &/or tutorials in the future as its something I get asked often. I enjoy chatting far too much, so that with my photography passion would be heavenly.

Where does your photographic inspiration come from?
My love of the outdoors, the way the light plays on the land totally blows me away everytime. Living in the Scottish Highlands I’m surrounded by so much beauty, it never seizes to amaze me.
What would consider to be your greatest achievement (or achievements) in your photography to date?
My proudest moment would have to be my first Publication on the front cover of Scottish Field Magazine with my beloved girls ( cows). As most will know I live on a farm in the Scottish Highlands, in 2016 we had some adorable cows. I use to visit them a few times a day with my dogs, they knew we were coming & started to recognize my voice & would head towards us. I grew quite attached to these cow, would often sing to them & tell them all my woes of the day. So, to have my gorgeous girls on the front cover of such an old & prestigious magazine displayed in all the major newsagents/ supermarkets across the country was a very proud and emotional moment for me.

What’s your favourite photo that you’ve ever taken & why?
Its got to be one named Wilderness taken in the County of Sutherland, the far North of Scotland. It was one of the first ones taken with my first full frame camera ( Canon 5d mark iii), it became very popular on social media & seemed to put my name on the map so to speak. I was driving home after a day shooting on the north coast, one those moments where I had to stop the car and jump out. It was a cold autumn afternoon as the sun was setting, I wouldn’t call it a sunset, it was just the way the light softly tipped the area, really very beautiful & unforgettable experience.
What’s inside your kit bag?

Canon 5d mark iv
Gitzo Systematic 5 series Tripod
Gitzo offset ball head
Canon 16-35mm USM L Lens & Hood
Canon 70-200mm USM L Lens & Hood
Remote Shutter Release
Cable Release ( as back up)
Lee Filters; Circular Polariser, Big Stopper, Little Stopper, 0.9 Pro Glass ND.
Umbrella
Headlamp
Shower Cap
Too many batteries
Chocolate
What’s inside your dream kit bag?
I pretty much have all I need right now. Possibly if money was no issue Id love to play with the Canon 400mm F2.8 L IS ii for the odd wildlife shot.
Which piece of kit couldn’t you do without?
My beloved Gitzo tripod. Tripods often get forgotten about to any extent as people think the camera or lens is the most important piece of kit. For me after coming home from two photo tours with disappointing images, the only issue was with my tripod. Although I thought my old Tripod was sturdy enough, it didn’t move visually on location but once the images were uploaded to Lightroom it was clear to see slight movement, it really got me down, I blamed myself. Once I bit the bullet & upgraded to the Gitzo there was no looking back, I even went to the length of having some spikes made which screw into the bottom of the legs.
What words of advice would you give to beginners?
Find your favourite photographers & take inspiration from them. Practice, practice & more practice, its the only way. Know your camera well, read the manual over & over until you know it inside out. Don’t rely on post processing to save you, without a great base image you’ll never make it work. Don’t let gear go to your head but also don’t buy cheap.

Links;

https://www.facebook.com/JennyCameronPhotog
http://www.fotodiyafram.com/profile.asp
https://www.viewbug.com/member/jennycameron
https://500px.com/jennycameron2
https://www.instagram.com/jenny.cameronscotland/

Don’t be defeated by the weather!

I chose this image to share with you as literally there is part of my heart within. I do hope you like my story/image and can relate somewhat. Would love to hear your stories too?

©Jenny Cameron 2017
Thought I’d share this one with you all. Ryan DeFreece-Dyar one of my biggest inspirations in Landscape Photography posted about “a piece that represents best what they constantly strive to make… a defining moment in their own history when everything comes together and falls into harmonious place.”
My image “Elysian” instantly came to mind. I’d like to share with you the story behind it.
After a morning of heavy rain and patiently waiting in my car with a flask of peppermint tea I really thought I’d have to turn around and go home. You know when the kid in you wants to stamp your feet and have a tantrum? Thankfully only thirty minutes from home but my heart was sinking. Then suddenly, something switched inside me, almost determination saying feck it to the world, it’s only rain I won’t shrink! I gathered my waterproofs, rucksack and went for it.
Sat at the top of a peak with all my gear set up under a large golf umbrella and generally feeling rather sorry for myself, black mascara running down my face to complete the look! Then suddenly out of nowhere the clouds opened like they were saying hello and welcoming me.
The beautiful sunlight peeped out, I was scrambling for the remote and Haida Filters  in a real fluster with wet hands. Finally pressed the remote, let the camera/filters do their job whilst I sat back & let the light flood in.
Such a beautiful moment, it seemed to last forever but in actual fact only 152 seconds exposure.
I drove home in more rain with the biggest smile ever on my face. Scottish weather isn’t the most predictable, but it sure gives great mood.
I chose this image to share with you as literally there is part of my heart within. I do hope you like my story/image and can relate somewhat. Would love to hear your stories too?
Equipment/ settings used …Canon 5d mark iv, 16-35mm @16mm. ISO 100, F11, 152 secs. Haida Filter N.D 3.6 (12 stop).
The moral of this story is don’t be defeated by the weather!
Best wishes to you all from a cold and windy North of Scotland in the middle of August, how rude!!
Jenny ~

Sunrise on the Bonnie Bonnie Banks

Woke up to a gorgeous frosty morning at Duck Bay the light was so soft and perfect looking to me. Loch Lomond, Scotland’s first National Park, “The Loch Lomond and The Trossachs National Park”, located off the A82, approximately two miles north of Balloch.

On the bonnie bonnie banks of Loch Lomond …There’s a song in there somewhere, will probably drive you mad all day singing it in your head.

Woke up to a gorgeous frosty morning at Duck Bay the light was so soft and perfect looking to me. Loch Lomond, Scotland’s first National Park, “The Loch Lomond and The Trossachs National Park”, located off the A82, approximately two miles north of Balloch.

I felt like I was still in my bed dreaming. There was no time for breakfast, couldn’t bare the thought of losing the soft light shining on the Ben (Ben Lomond Mountain), producing an epic reflection on the Loch. I’m not normally a morning person but when you see such beauty it gives me a big kick up the ass and I can’t wait to get out there shooting. It’s a bit like the feeling you had as a kid on a Christmas morning, you never know what to expect but excited at the same time.

Light moves fast and so do you if you want “that shot”. Sometimes I panic so much that I forget things, it’s quite the adrenalin rush. Questions racing through your mind, should I place the Tripod here or there? What Focal length should I use? How should I angle my lens? Which filters if any? So many others as they flash through your thoughts, all happening in nanoseconds.

Equipment used.

Canon 5d mark iv, Canon 70- 200mm USM Lens, Gitzo Systematic 5 series Tripod, Gitzo series 5 Off Centre Ball Head, Haida ND 3.6 ( ND 12 stop) Filter,  Remote timer.

Camera settings.

 

Post production

Adobe Photoshop CC.

©Jenny Cameron 2017

 

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Haida 100 Filter Series Review by Jenny Cameron 

Review of the Haida 100 Series ND 3.6, ND 4.5, Pro Round Circular Polariser (CPL), Adapter Ring and Pro Holder as their UK Official Photographer. Using my Canon 5d mark iv with Canon 16-35mm USM Lens in the Northern Scottish Highlands.

My first review of the Haida 100 Series ND 3.6, ND 4.5, Pro Round Circular Polariser (CPL), Adapter Ring and Pro Holder as their UK Official Photographer. Using my Canon 5d mark iv with Canon 16-35mm USM Lens in the Northern Scottish Highlands.

When I first started my Landscape photography journey I bought a budget range of filters, but couldn’t understand how my images actually looked worse than without any filter, but other photographers who I looked up to were producing great work. The only difference I found were different brands, eventually I upped my game, bite the bullet, bought a better quality set of filters. It’s like the old saying goes, “buy cheap buy twice”, which is very true! Never skimp on anything Optical, you’ll never be happy.

Adapter Ring

The Haida adapter ring is made from good quality Aluminium with no rough edges and very sturdy. This easily screws onto the filter holder where they can stay together permanently if your using the same lens. I particularly found this a great innovation as my previous filter holder and adapter ring were separate which meant more time screwing together which isn’t always easy in freezing temperatures with gloves on, or needing to move quick as the light changes. The particular size I used was 77mm for my Canon 16-35mm USM Lens, but they come in an array of different sizes ( 49mm – 82mm) to suit most popular lenses.

100 Pro Holder
The Haida 100 Pro Holder  feels solid in your hand, very fast and easy to mount. Made from the highest quality Aluminum,making it extremely robust and strong unlike some other filter companies who tend to rattle around loosely. It easily screws together with the Adapter Ring and comes with two filter slots. If you need more Haida who think of everything kindly provide spare brackets and thumbscrews so you can add more if you so wish. Not forgetting the lovely fabric pouch it comes in to keep your holder secure.

Pro Filter Holder
Showing Haida 100 Pro Filter Holder

Circular Polariser (CPL) 
The Haida Round CPL, a vital piece of kit every landscape photographer should have, I rarely shoot without.

I found from my testings it lost roughly two stops of light. Its very slim and made from the highest quality glass to provide great optical clarity. Not to mention the fabulous Nano Coating on both sides which gives not only protection but also improves light quality.

Comes in a very neat plastic box with padding internally for extra protection whilst on your travels. Also available in a selection of sizes ranging from 49mm – 82mm.

There was no vignetting at all even at my widest 16mm on a full frame camera, which you can clearly see from the image below. Your able to rotate the edges of the filter with the metal dial at any time and instantly see the effected light changing.

I should also mention how it gave amazing contrast, cutting through some of the haze especially on the clouds and foliage. Removed almost all the glare from the water, added some beautiful saturation and gave an overall instant pop to the image. Without using a CPL it would be virtually impossible to replicate this effect in post processing.

What do CPL’s do? 
It works by blocking certain light wavelengths from entering the camera sensor. To achieve a maximum effect I’ve found it best to make sure your line of sight is perpendicular to the direction of the sun.They are ideal for anything with non-metallic surfaces such as glass and cutting through reflections on water. You know when you see images where you can see the rocks/stones on the river bed through the water. If a polariser wasn’t used then you can end up with one huge mess of blown out highlights. The only downside with a CPL is being careful not to take it too far, you end up not even seeing the water, I’ve had this happen in the past, not a great look.

The image below, taken without a filter and with the Haida CPL at the distinctively curved Kylesku Bridge that crosses Loch a`Chairn Bhain in Sutherland, Scotland. Canon 5d mark iv, 16-35mm USM. No CPL, ISO 100, F11, 1/10 @16mm and with Haida CPL, ISO 100, F11, 1/4 second.

Before-CPL-(jpeg-for-web)
Showing Without Haida CPL and With Haida CPL
©Jenny Cameron 2017
Post Processed in Adobe Photoshop
CPL
Showing the Haida CPL in the 100 Pro Filter Holder

Haida ND 3.6 (12 stop) and ND 4.5 (15 stop) 
The Haida ND filters come in beautiful individual chunky Silver metal boxes with padding internally for protection. You may be thinking come on Jenny it doesn’t matter what the filter comes in, it’s the actual glass that matters. And, yes to be fair you’re quite right, but don’t you think attention to detail should follow through from the packaging to the actual Filter? I sure do, it gives me faith in the product that the company has taken into consideration every minor detail.

Made from quality Optical Glass, sized 100mm x 100mm and approximately 2 mm in thickness. I experienced no vignetting and very low colour cast.

I expected some slight lack of sharpness with using both these ND Filters, but as you can see from my findings there really is none at all, they gave an impressive definition.

They also come with a spare gasket if you should ever need it, this can also help with light leaks. See I told you, Haida really do think of everything! I left the gasket off as the filter slotted into the holder very snug and there was no sign of light leakage as you can see from the images below.

From past experience I’ve found it best to always insert the ND Filter in the first groove as close to the lens as possible, this really helps with the possibility of any light leaks. Not forgetting to close your viewfinder, as I do with the rubber piece attached to the Canon neck strap. I believe Nikons have a little blind you can pull down, or simply use some black electrical tape.

What do NDs do?
They allow you to lengthen your exposures in both light and dark conditions. Adds motion blur to moving subject such as water to give a smooth silky look and streaky effects to clouds. It works by reducing the amount of light from reaching the camera sensor. Therefore your able to leave the camera with a higher aperture for a longer amount of time. The results give the photographer more artistic control.

Please see the image below taken without a filter and with the Haida ND Filter 4.5 (15 stop) at Ardvreck Castle in Sutherland. Canon 5d mark iv, 16-35mm USM. No Filter @32mm, ISO 100, F11, 1/100 .With 4.5 Haida ND Filter ( 15 stop) ISO 100, F11,
226 seconds.

With-15-stop-filter-4-Gif
Without Filter and With Haida ND 4.5 (15 stop)
©Jenny Cameron 2017
Post Processed in Adobe Photoshop
arvreck 4.5 nd
Showing Haida ND 4.5 (15 stop) Filter

The following images were taken from the beautiful banks of Loch Assynt, looking across to what we locals call Pine Tree Island. Canon 5d mark iv, 16-35mm USM. No Filter @34mm, ISO 100, F11, 1/125 .With 3.6 Haida ND Filter ( 12 stop) ISO 100, F11, 131 seconds.

With-Filter-Sunday-Gif
Without Filter and With Haida ND 3.6 (12 Stop)
©Jenny Cameron 2017
Post Processed in Adobe Photoshop
3.6 ND Tree island
Showing Haida ND 3.6 (12 Stop) Filter

NanoPro Coating 
Another admirable feature is the NanoPro coating. Whilst conducting this test the weather was harsh and against me with rain, strong winds and water splashing up from the Loch. What amazed me was the way the glass repelled the water, it simply beaded up and rolled off. Unlike other glass filters Ive used in the past which take forever to clean and smear when you try to wipe away any excess water. This is due to the NanoPro coating which gives great waterproofness, scratch resistant and super easy cleaning.

In a nutshell
Genuinely, hand on heart Id highly recommend Haida Filters, the quality and sharpness truly are outstanding. Well done Haida, great work!

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