Reviews

Filter case for Haida M10 100x100mm & 100x150mm filters

Welcome to my test review of the Haida filter case for their M10 filter series or other branded filters of the same dimensions; either 100x100mm &/or 100x150mm. Holding up to nine filters including Haida M10 filter holder, adapter ring, cleaning cloth & memory cards.

When I first started using filters I never had a case to keep them in which meant using individual tins or cases they arrived in. As my collection increased this really started to annoy me having to faff around often in cold, wet, windy conditions routing through my rucksack searching for the correct filter, this drove me insane! For me personally, landscape photography is a calming influence. I enjoy taking my time & slowing down from “life”, I needed to refine this stressful situation as much as possible. Eventually, I purchased the Lee filter field pouch which stayed with me for a few years as there was no other option available from what I found online here in the UK. It had several filter slots but no space for the holder which meant I had to start adapting & let me tell you sewing is not my fortay. Sure it worked but became very cramped & not ideal.

I’ve been an Ambassador for Haida filters for almost two years now & always mentioned my frustrations regarding a filter case. To my joy this year they released their M10 filter case. This was music to my ears, just what I’ve been searching for all these years. One thing I will say about Haida is they listen to their customers & are photographers themselves which provides them with a better understanding of reality in the field.

Which would you rather have?

All the tins & cases clattering around, not knowing what filter is in each tin? Or, the whole lot in one neat accessible filter pouch? All Haida filters have the name of the particular filter etched on the top, making this super easy to simply flick through & make a selection of your choice.

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Different ways

It fits onto your rucksack waist belt with a super strong wide velcro strap & a small clip for added security. Or, if your like me & don’t want the added weight of carrying your rucksack around all the time you can attach it to your trouser belt. Another way, if you don’t wear belts you can easily thread a long strap through & wear it loosely across your body. Final option, simply hang it on your tripod & secure with the small clip. It really is very versatile.

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Construction

Externally the pouch is made from a strong nylon type fabric making this waterproof, moisture proof & extremely durable. There are two easy to grip red zippers externally, one for the main compartment where your filters are housed is made from a soft fleece fabric, ensuring your filters are kept safe from any scratches or knocks. Within this compartment there is a small red zipped section where I keep my memory cards. The second external zipper on the front of the pouch is a padded pocket where I keep a large lens cleaning cloth as seen in the video & photos below.

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Conclusion

In a nutshell I’m thrilled with everything about this pouch. As always with Haida equipment, quality never fails & well thought out. A great solution for any outdoor photographer at an affordable price.

Purchase direct from Haida’s European distributor Haida Germany shop  for excellent service.

I hope this provides you some useful information. Please feel free to ask me any questions. For more info & my test reviews on Haida’s website.

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“All rights reserved” © Jenny Cameron 2019

 

 

About me, Interviews

Interview with Ole Henrik Skjelstad

I’ve known Ole Henrik a few years now, he needs no introduction to anyone in the Landscape Photography world. If you haven’t seen his work, seriously …do look him up. One of my biggest landscape photography inspirations and a genuine human being.

“Jenny’s story is a compelling read about dedication, hardships and overcoming obstacles. She is a true artist whose images stand out as unique, creative and evocative”.

Have a wee read & please let me know.

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Tell us a little about yourself.

Born and raised in the north of England, moved to the Scottish Highlands in my mid 30s with husband and two dogs following our dream to escape the rat race. We live on a farm within a private highland estate in the far north –  I really have never lived anywhere so beautiful in all my life. Always been a bit of a dolly daydreamer. My senior school was set in a rural location with views down a pretty valley and my step father once told a teacher that I’d never get any work done for staring out of the classroom window in my own little world. He was not wrong! I’m a very competitive person but only with myself, I am my own biggest critic, never happy with my images.

 What made you start out with landscape photography?

I’ve always had a passion for the great outdoors and travel, and most of our holidays and free time were either spent long distance backpacking, hiking, climbing or skiing. Unfortunately I was diagnosed with a rare bone disease aged 35 which put an end to our adventures and I spiralled into a dark place. A few years later I found solace taking photos whilst walking my dogs in the beautiful countryside where I was lucky enough to be living, using a basic point/ shoot camera. I finally took the plunge and purchased my first Canon DSLR in October 2015.

What do you want to communicate through your photos?

I try to communicate depth by means of interesting foreground, textures, light, different focal lengths and focus. Emotion is never far from my mind when processing, which I hope is something I manage to convey in my photographs. Oftentimes, I will use more warmer palettes to portray happiness whereas more moody cool tones can show the opposite. I never set out with a plan, I kind of go with the flow wherever my mood takes me. I truly find great pleasure inviting the viewer into the scene and the world through my eyes.

What has photography done for you?

It’s helped me with mental negative demons, and in a way it’s given me back the old part of my life in the great outdoors without debilitating hip pain. Whether I’m on location or post processing, it will take me to another world. I’m not sure if others will relate to this but it’s like I’m able to escape the chaos of life and zone out in my own little world. Not to mention the genuine friendships I’ve made through photography, the generosity I’ve encountered continually astounds me.

How would you describe your work, and how has it evolved since you started out?

As much as I’m known for a lot of post processing, I do feel over the years I’ve learnt to tone it down a wee bit. In the early days I thought saturation and heavy vignettes were the best thing ever, whereas these days I try to be more selective and use it to lead the eye into key areas. Studying light has been a game changer for me, knowing where your light source is and where the light / shadows will fall is a must. I’ve learnt a lot just by spending time in nature – you soon learn what colours work best … you can’t beat nature’s own colour wheel. Also I give myself more time these day on composition, searching for patterns and leading lines, whereas I never use to give it much thought.

I suppose most of us have periods when we seem to lose the fun of photography. Have you developed any strategies to keep the fire burning?

Absolutely! There are most definitely times when this happens, I need time away mostly from my computer and usually spend extra time on family road trips. Especially to the west coast of Scotland – famous for rain but once it stops and the sun comes out there is such amazing light playing on the land that it’s hard not to feel exhilarated and then I can’t get the camera out fast enough! It’s like an itch that needs scratching and I’m back before I know it. I’m very fortunate to have such a supportive husband, he understands when these times happen but will never let me give up when I’m throwing a tantrum (usually in post processing) – he’s always there championing me on which really does help re-igniting the flame.

Have you ever been severely criticized for your work? And in that case how did you handle it?

Oh yes ….!  It sure happens, especially in my early days and I didn’t handle it well emotionally and took it to heart. The purists often criticise my creative licence but I am not here to appease them, my art is selfishly for myself. I’ve learnt over the years to take it with a pinch of salt and move on as photography is subjective and you’ll never satisfy everyone – the world would be a boring place if we all liked the same thing. These days if I see a negative comment on social media I literally ignore it. Gone are the days where I try to reason with them and at the end of the day they are quite entitled to their opinion. After saying that categorically I can say that I’ve never criticise anyone else’s work, even if someone directly asks me for constructive criticism I still struggle, it’s not in my nature. My gran always taught me if you have nothing nice to say then don’t say anything at all. 

Have you any hobbies besides photography?

Not sure if it’s a hobby but it sure takes up time! This past year I’ve thoroughly enjoyed spending time with seven horses on our farm whom I’ve become very attached to and seem to connect with on an emotional level, it’s really quite bizarre in a heartwarming and calming way. Also I enjoy reading and watching far too many films.

In which direction do you believe landscape photography is heading? 

In all honesty reflecting on the past 20 years in the mountains of Scotland I’ve witnessed huge environmental damages. I feel social media is like a virus to landscape photography. So many people travel the globe to iconic places just to post on social media to gain more likes and/or followers, it’s really very sad what’s happening to these beauty spots. Don’t get me wrong-  I accept wholeheartedly that anyone has the right to go where they wish, we’re all guilty of that up to a point. For me travel is about adventure and fun, not letting Google direct you to a location you’ve seen on Instagram. For example 20-30 years ago the famous Fairy Pools on the Isle of Skye only had a few daily hill walkers, there wasn’t even a car park, not many people knew about it, people would simply park on the roadside and for the odd few cars doing this it really didn’t matter. Unlike the past 10 years where it’s snowballed to craziness on a whole new level with endless streams of tour buses all year round. It really hurts me seeing the erosion caused not only to the roads but footpaths too and literally scarring the vistas. I don’t know if people are plain selfish or just don’t realise this damage is permanent! Even if everyone stopped going from today it would take many hundreds of years to return to its former glory. I honestly don’t know where it’ll all end.

What is the most amazing place you have visited? Is it possible for you to articulate why it made such a huge impression on you?

In 1994 my husband and I rented our house out to fund a road trip for a year travelling fourteen countries in Europe and Scandinavia. There was one very special country we never wanted to leave which was Norway, it left a huge impression especially the enormity of the turquoise waterfalls and Troll Wall, such a beautiful country in so many ways. We were able to take our watches off and mostly didn’t know if it was day or night as it was summer time and never went totally dark. 

What inspires you?

It’s got to be the moody Scottish weather. Some say it’s not great due to all the rain but for me there’s nothing better than after heavy rain fall when the sun pops out often revealing great light rays. Also foggy mornings make my heart swell when the mist slowly lifts from a river or loch, it really does make for interesting photography.

You have been severely ill. How has that affected you as a person and your photography?

March 2018 I was diagnosed with Breast Cancer, and my world came crashing down. Photography definitely inspired me to overcome my fears for the biggest fight of my life. My consultant told me I’d be out of action for a year with surgery and treatments. Luckily a few weeks after diagnosis a fine art gallery south of Glasgow approached me to display some of my work. This gave me mental balance, something positive to focus on and true hope. It took a few weeks after surgery to get back to doing some post processing, and I was only able to use one hand. Sadly I wasn’t able to hold my camera, let alone use it as I was so weak and sore. Cancer might have put my life on hold but there was no way it was controlling my love of photography. Within this time I wrote a full post processing tutorial of one of my images from start to finish for a photography magazine and also had a selection of my work published in a hardback coffee table style book.

 Photography helped to shut out the reality of the outside world, and took me to another world full of magic, with a sense of calmness and happiness. It gave me the confidence to hold my head up high, I was alive! No matter what I had to face my escape was always my art, I buried my head in my own little world where anything was possible. Eventually I got through surgery, 5 months of chemotherapy and radiotherapy, and albeit a little battered and bruised, I survived! It’s the old cliche that you often hear after a life-changing diagnosis –  “the world looks different now”. It’s so true. Before my diagnosis I would shy away from certain opportunities but now I want to grab life and live it to the fullest. I received many messages of support from fellow photographers who told me their stories of how cancer had touched their families. Photography has been my saviour and still continues to help rebuild “me”.

Do you have a piece of advice for young aspiring landscape photographers?

Be true to yourself, do what makes you happy and don’t worry what others may think. Don’t follow the crowds or chase the followers – it will become stressful and dull your creativity. Take inspiration from others but don’t copy. Try to find your own unique style which in return will give you more abundance. Never compare yourself to others, it’s a slippery slope of despair. Social media can of course be inspirational but at the same time can leave you with a feeling of lacklustre and loneliness and can quickly lead to unhelpful comparisons. If this happens take some time away even if just a couple of hours and do something completely different – for it can suck the life from your creative flow. And finally, practice, practice and more practice, it’s the only way. Oh… and don’t be too hard on yourself –  it’s about having fun!


 

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© Jenny Cameron 2019.

 

 

On Location

The Buccal

Buachaille
Glencoe

“The Buccal” …also known as Buachaille Etive Mor. It’s been my playground the past thirty odd years, I know these mountains very well having climbed, back-packed & skied. There will always be something very special deep in my heart that draws me back. For those who have never visited Glencoe/ Rannoch Moor area, let me tell you it’s one of those places your forever looking over your shoulder, not because it’s unsafe but your constantly thinking someone is behind you. Kinda spooky which is of no surprise when you think of the Glencoe massacre 1692 when Clan MacDonald were slaughtered in their sleep!

Glen Etive portrait style waterfall re edit

Reviews

Haida Red Diamond Medium 0.9

The Red Diamond filter I am testing is a medium 0.9 equaling 3 Stops. Rectangle in shape and sized 100mm x 150mm, providing more flexibility to move the filter up or down within the holder for ultimate control, homogeneous graduated blending from light to dark and endless creative possibilities. I really enjoyed using this filter in combination with the M10 filter holder. It’s fun the way you can rotate the holder if you want to darken the sky on one side or turn it upside down if you’re looking over bright highlighted water.

take wording for blog post & pic

I predict this latest series from Haida becoming “The big daddy” of them all for landscape photographers the world over. Haida named this new series “Red Diamond” as they’re amongst the strongest diamonds in the world, therefore being the strongest of all Haida filters.

What makes this series stand out from its predecessor and other brand filters are listed as follows:

  • Shock resistant, low risk to any accidental damage.
  • Scratch resistant, the perfect partner in demanding weather.
  • Zero colour cast.
  • Waterproof, oil and fingerprint proof Nanopro coated surface.
  • Improved optical glass.
  • R5 rounded corners – makes it easier to slide in and out of the filter holder, no sharp corners.
  • K9 optical glass.
  • True colour.
  • Ultra-thin nano multi coating.
  • Easy to clean.
  • Double the strength of other glass filters whilst at the same time retaining ultimate sharpness.
  • Still retaining 2 mm in thickness making it compatible with the Haida 100-Pro filter holder and other brands the same size.
  • The Red Diamond series is double the strength of a normal glass filter. You may have seen online the Haida Red Diamond drop test video? Where it’s thrown onto a concrete floor and no sign of damage to the filter. If you are accident prone this would be the perfect filter series for you.

Images below showing straight-out-of-camera (Canon 5d mark iv and Canon 16-35mm USM L Lens) @16mm -With-without-Red Diamond medium 0.9 (3 stops). No post processing on either, other than lens correction in Lightroom.

With-Red-Diamond-Medium-Filter-base-edit

Finally post processed in Adobe Creative Cloud

strath jpeg
Location = A private Highland Estate
On Location, Stories of behind the Camera

Don’t be defeated by the weather!

©Jenny Cameron 2017
Thought I’d share this one with you all. Ryan DeFreece-Dyar one of my biggest inspirations in Landscape Photography posted about “a piece that represents best what they constantly strive to make… a defining moment in their own history when everything comes together and falls into harmonious place.”
My image “Elysian” instantly came to mind. I’d like to share with you the story behind it.
After a morning of heavy rain and patiently waiting in my car with a flask of peppermint tea I really thought I’d have to turn around and go home. You know when the kid in you wants to stamp your feet and have a tantrum? Thankfully only thirty minutes from home but my heart was sinking. Then suddenly, something switched inside me, almost determination saying feck it to the world, it’s only rain I won’t shrink! I gathered my waterproofs, rucksack and went for it.
Sat at the top of a peak with all my gear set up under a large golf umbrella and generally feeling rather sorry for myself, black mascara running down my face to complete the look! Then suddenly out of nowhere the clouds opened like they were saying hello and welcoming me.
The beautiful sunlight peeped out, I was scrambling for the remote and Haida Filters  in a real fluster with wet hands. Finally pressed the remote, let the camera/filters do their job whilst I sat back & let the light flood in.
Such a beautiful moment, it seemed to last forever but in actual fact only 152 seconds exposure.
I drove home in more rain with the biggest smile ever on my face. Scottish weather isn’t the most predictable, but it sure gives great mood.
I chose this image to share with you as literally there is part of my heart within. I do hope you like my story/image and can relate somewhat. Would love to hear your stories too?
Equipment/ settings used …Canon 5d mark iv, 16-35mm @16mm. ISO 100, F11, 152 secs. Haida Filter N.D 3.6 (12 stop).
The moral of this story is don’t be defeated by the weather!
Best wishes to you all from a cold and windy North of Scotland in the middle of August, how rude!!
Jenny ~
On Location

The Buachaille

Buachaille (jpeg for web).Buachaille Etive Mor known locally as “The Buachaille” is a Scottish Munro at the head of Glen Etive. Driving up the A82 from the south your suddenly in awe of this majestic peak. I remember 20 yrs ago a climber had a horrible accident ..I was heading back to the car after a hike over Rannoch Moor when a guy approached me asking for help, one of his climbers were suspended on a ledge almost at the top of the Buachaille & could I drive him to the Hotel ( not many people had mobile phones back then & even if they did they wouldn’t have a signal). I’ve never driven so fast in all my life, we finally got there & phoned for Mountain Rescue. It seemed to go on forever waiting for the Helicopter to arrive, I think about 2 hrs plus it was going dark. The Climber was rescued & taken to Fort William Hospital, his knee caps were all smashed, they said he would never walk again. The following summer I heard he was back on the same mountain climbing again … Such an inspiration, never give up!! This area is in my heart and soul .. I truly love it, my happy place.

On Location, Uncategorized

Sunrise on the Bonnie Bonnie Banks

On the bonnie bonnie banks of Loch Lomond …There’s a song in there somewhere, will probably drive you mad all day singing it in your head.

Woke up to a gorgeous frosty morning at Duck Bay the light was so soft and perfect looking to me. Loch Lomond, Scotland’s first National Park, “The Loch Lomond and The Trossachs National Park”, located off the A82, approximately two miles north of Balloch.

I felt like I was still in my bed dreaming. There was no time for breakfast, couldn’t bare the thought of losing the soft light shining on the Ben (Ben Lomond Mountain), producing an epic reflection on the Loch. I’m not normally a morning person but when you see such beauty it gives me a big kick up the ass and I can’t wait to get out there shooting. It’s a bit like the feeling you had as a kid on a Christmas morning, you never know what to expect but excited at the same time.

Light moves fast and so do you if you want “that shot”. Sometimes I panic so much that I forget things, it’s quite the adrenalin rush. Questions racing through your mind, should I place the Tripod here or there? What Focal length should I use? How should I angle my lens? Which filters if any? So many others as they flash through your thoughts, all happening in nanoseconds.

Equipment used.

Canon 5d mark iv, Canon 70- 200mm USM Lens, Gitzo Systematic 5 series Tripod, Gitzo series 5 Off Centre Ball Head, Haida ND 3.6 ( ND 12 stop) Filter,  Remote timer.

Camera settings.

 

Post production

Adobe Photoshop CC.

©Jenny Cameron 2017

 

Hope you enjoyed this blog post. If you’d like to see more of my work follow the links below;

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